DOWLOAD LECTURE NOTES - in <Infoaesthetics> folder

NOTES:

Changes in the order of topics are possible.
The parts which are blank will be filled before the lectures. The parts below marked in gray will also be changed (as they correspond to visiting lectures from the last year.)
Please note that I may update my Keynote presentations before each lecture.
Therefore, you should download each week's Keynote presentation on the day of the lecture (i.e., Thursday) to make sure you have the up-to-date version.

REQUIRED READINGS AND REFERENCES (columns III, IV, V, VI):
Primary readings and additional readings (columns III and IV): read before each week's lecture.
Lecture references (column V ): read/view after the lecture.
Section references (column VI): read/view after the section meeting.

MIDTERM / FINAL PREPARATION:
The exam questions / essay topics will refer to concepts, projects, artworks and people which appear in lectures' Keynotes, and which were discussed in sections.

The material in columns IV and V will provide you with background information about ideas, projects and people discussed in lectures. I will not ask you about other arguments/ideas/discussion of other projects which appear in this material but which were not mentioned in lectures. Therefore, in preparing for the midterm, first review each week Keynote and then look over the readings/sites in columns IV and V - focusing only on the parts of the readins which are directly about the ideas/projects which appeared in Keynotes.

The midterm questions will refer to key points in primary required readings and also to the projects which appear in columns III and VI - so you should also review the material in these columns.

I | date II |
topic / lecture notes
||| | required readings - unless indicated overwise, these are chapter drafts from Lev Manovich, Info-aesthetics (book in progress) and chapters from Software takes Command. IV | required: additional readings
V | required: references for projects / artworks/ people discussed in lectures - read/view after the lecture VI | required: references for projects / artworks discussed in section meetings - read/view after the section meetings VII | suggested: web resources
1/ January 8 lecture 1:
Class introduction
   
MODERN TIMES (1936)

2/ January 15

lecture 2:
symbols of modern and information societies

 

 




Bauhaus

Man Ray: Emak-Bakia (1926)

Les Mystères du château du Dé (Man Ray, France, 1929)

Rhythmus 21
(Hans Richter, Germany, 1921, 3 min.)




classical modern designs

designers profiles @design museum london

key modern art movements (many images)

Constructivism (textuses many important terms with links to their pages)

3/ January 22

lecture 3: symbols of information society - continued;

new modernist techniques of visual communication and spatial organisation

modernism and technology
From Pam Meecham and Julie Sheldon, Modern Art: A Critical Introduction (Routledge, 2000).

modernist communication techniques - summary


Industrial_revolution (you can skip details on particular industries and other technical details - focus on the key concepts)

information society

modernity

Modernism - read the following parts
1.2 The explosion of modernism 1910–1930.
1.3 Modernism's second generation (1930–1945).
2 Modernism's goals.

modern movement in architecture and design

characteristics of modern architecture


"Ornament is Crime"

Montage (review of the 1992 exhibition Modernism and Modern Life)


representing industral society - new symbols/new forms:
Manet
Precisionism
Fernand Leger
Futurist painting and sculpure in Italy
Cubism
Streamlining ( from Modern Design Dictionary)
Raymond Loewy



representing information society - new symbols/new forms:

Miltos Manetas

Karim Rashid: Soft worlds : Manifesto

Phillip Starck (Rashid/Stack - contemporary vs. post-modern)

Yokohama Ferry Terminal by FOA

Zaha Hadid

Guggenheim_Museum_Bilbao - compare to The Villa Savoye

Iconic Buildings (book summary)

Moscow Crystal City

Gehry, Nouvel, Ando, Hadid build in Abu Dhabi

Supermodernism (book summary)

Jean Nouvel (examples of new super-scale, supermodernism, eco-symbolism ) / nouvel world map /

Musée du quai_Branly

Brandscapes: Architecture in the Experience Economy (book summary)






 






Centre Pompidou / about the building

Megacity

Rem Koolhaus/Logos about the project

Lagos Wide and Close DVD

Futurust maifestoes


examples of non-avant-garde ("normal") film culture from 1920s:

Rudolph Valentino & Alla Nazimova in 'Camille." (1921)
http://www.youtube.com/watch?v=2xyweNiWuW8

Controversial "rape" scene from Son of the Sheik starring Rudolph Valentino and Vilma Banky (1926)
http://www.youtube.com/watch?v=7OAlbfZRCvY

News In Brief - Gertrude Ederle, 33 years ago returned from England having swum the English Channel, New York City's first ticker-tape parade in 1926, setting precedent for Lindbergh next year
http://www.youtube.com/watch?v=84fYnCEVfJI


ADDED 1/22/2009:

Zaha Hadid exhibition in Design Museum, London (2007)

M.A.D.

MAD exhbition in Copenhagen (2007)

Typical graphic design and typography in 1920 -

 

 






4/ January 29 lecture 4:
software and contemporary visual forms - I

Understanding Hybrid Media





definitions and history:
Matt Frantz
, Changing Over Time: The Future of Motion Graphics (2003)


If you are new to graphics software, read the following:

motion graphics
graphics program

common media types used today:
Raster_graphics
Vector_graphics
3D model


If you are not familiar with 3D software,
watch the the following Maya videos:
Overview of Maya
Geometry Types

ADDED January 26, 2009:
If you are not familiar with Adobe After Effects
, watch these videos:
(please note: this web page takes a whle to load)

Overview of Adobe After Effects CS4

ADDED January 26, 2009:
required for all - watch:

Fundamentals of Motion Graphics

(note: this web page takes a whle to load) )

(note: the last video is long, so if you are not able to watch before 1.28.2009 lecture, watch it after)










MK12: Common music video
(MK12 site is in Flash, so I can't provide you with the direct URL to the video.
After you get to MK12 site, navigate to
work>motion>client>
The video you are looking for is titled "Common" -
2nd column, 2nd row)

Ann Lislegard: Crystal World

(download the file "Crystal_world_small.mov" - in <Infoaesthetics> folder

Hans Richter - Rhytmus 21 (1921) | info | movie

Saul Bass title sequences:
Vertigo (1958)
Psycho (1960)

Kyle Cooper: titles for Se7en (1995)

Kyle Cooper documentary

Jeremy Blake:
Sodium Fox
Mod Lang

 

 

http://xplsv.tv/movies.php

http://www.motionographer.com/


5/ February 5 lecture 5:
software and contemporary visual forms - II
Design workflow and contemporary aesthetics
Graphic Design For The 21st Century: 100 Of The Worlds Best Graphic Designers (Paperback) by Charlotte Fiell (Editor), Peter Fiell (Editor)
some images from the book

 



1920s normal (not avant-garde) graphic design


what is graphic design?

young design worldwide: coroflot.com

student architecture projects: archinect.com

dezeen.com (design and architecture news - especially great for
repors about new buildings )

framemag.com
(currently best professional journal about space design)

www.designws.com (design news)



6/ February 12 in-class midterm BRING EXAM BOOKS        
7/ February 19 lecture 6:
Origins of cultural software. Alan Kay's concept of computer as a metamedium.
Alan Kay's Universal Media Machine

Alan Kay and Adele Goldberg,
Personal Dynamic Media (1977)

view video: Alan Kay discusses Sketchpad

Towards a Machine with Interactive Skills (an article on Sketchpad)

standard computer interfaces of the 1950s-1970s
video 1 | video 2

SAGE | video part 1 part 2

Sketchpad | video

Douglas Engelbart

Aspen Movie Map | video

Interactive Stage

Invisible Shape of Things Past

Google Earth



  Douglas Engelbart 1968 demo:| video


Alan Kay's 1997 Scientific American
article on Xerox Alto
8/ February 26

lecture 7:
Cultural Analytics

NOTE: the presentation for this lecture is located not info-aesthetics folder but on a diffirent site:

Cultural Analytics powerpoint

 

Cultural Analytics white paper

Cultural Analytics case studies

 



Anderson, Chris. The End of Theory: The Data Deluge Makes the Scientific Method Obsolete. Wired 16.07 (2008). Please also read all case studies linked on this page.    
9/ March 5

lecture 8

Michael Century: Early Computer Animation

all recommended:

John Whitney. Computational Periodics. 1975.


Carson: A Critical History of Computer Graphics and Animation:

Section 2:
The emergence of computer graphics technology


Section 9:
Computer artists





recommended: some of the films shown in lecture:

 

http://www.youtube.com/watch?v=HnlQa74H7is

http://www.youtube.com/watch?v=BzB31mD4NmA

http://www.youtube.com/watch?v=YXmTz3LxIRg

http://www.youtube.com/watch?v=iJTzS-t5UG4&feature=related


 

 

 

10/ March 12

Cultural Analytics: case studies / Artistiic work in information visualization







recommended:
Fernanda B. Viégas and Martin Wattenberg: Artistic Data Visualization

 

 

 

recommended:

Manovich: Visualization as new abstraction

Manovich: Abstraction and Complexity




recommended: resoursces for artistic work in information visualization and culture visualization: culturevis.com

recommended: the CLASSICS linked at infosthetics.com

 

processing.org

generative.net

infosthetics.com

visualcomplexity.com