Dr. Lev Manovich
Director, Cultural Analytics Lab: lab.culturalanalytics.info
Professor, Ph.D. Program in Computer Science, The Graduate Center, City University of New York (CUNY)
Faculty member, Strelka Institute for Media, Architecture, and Design Moscow
One of "25 People Shaping the Future of Design" (complex.com)
One of "50 Most Interesting People Building the Future" (theverge.com)
"Lev Manovich is the only media theorist around who is talking not just about what computers do but how they do it" - Ellen Lupton, curator of contemporary design at Cooper-Hewitt National Design Museum, New York City
Current Research Interests
Cultural analytics (analysis of contemporary digital and visual culture using big data), computational social science, artificial intelligence and culture, digital humanities, software studies, media theory
Dr. Lev Manovich is one the leading theorists of digital culture worldwide, and a pioneer in application of data science for analysis of contemporary culture. Manovich is the author and editor of 12 books including AI Aesthetics (forthcoming 2018), Instagram and Contemporary Image, Data Drift, Software Takes Command, Soft Cinema: Navigating the Database and The Language of New Media which was described as "the most suggestive and broad ranging media history since Marshall McLuhan." He was included in the list of "25 People Shaping the Future of Design" in 2013 and the list of "50 Most Interesting People Building the Future" in 2014. Manovich is a Professor of Computer Science at The Graduate Center, CUNY, and a Director of the Cultural Analytics Lab that pioneered analysis of visual culture using computational methods. The lab created projects for Museum of Modern Art (NYC), New York Public Library, Google and other clients.
Manovich is the author of 12 books including AI Aesthetics (forthcoming 2018), Theories of Software Culture (2017), Instagram and Contemporary Image (2013), Software Takes Command, (Bloomsbury Academic, 2013), Black Box - White Cube (Merve Verlag Berlin, 2005), Soft Cinema (The MIT Press, 2005), The Language of New Media (The MIT Press, 2001), Metamediji (Belgrade, 2001), Tekstura: Russian Essays on Visual Culture (Chicago University Press, 1993) as well as 140 articles which have been published in 35 countries and reprinted over 500 times. He is also one of the editors of Software Studies book series (The MIT Press) and Quantitative Methods in Humanities and Social Science book series (Springer).
The Language of New Media is translated into 14 languages and is used a textbook in hundreds of programs around the world. According to the reviewers, this book offers "the first rigorous and far-reaching theorization of the subject"; "it places [new media] within the most suggestive and broad ranging media history since Marshall McLuhan."
Manovich was born in Moscow where he studied fine arts, architecture and computer programming. He moved to New York in 1981, receiving an M.A. in Visual Science and Cognitibe Psychology (NYU, 1988) and a Ph.D. in Visual and Cultural Studies from University of Rochester (1993). Manovich has been working with computer media as an artist, computer animator, designer, and programmer since 1984. His art projects have been presented by, among others, New York Public Library (NYPL), Google's Zeitgeist 2014, Shanghai 2014 Art and Architecture Biennale, Chelsea Art Museum (New York), ZKM (Karlsruhe, Germany), The Walker Art Center (Minneapolis, US), KIASMA (Helsinki, Finland), Centre Pompidou (Paris, France), ICA (London, UK), and Graphic Design Museum (Breda, The Netherlands).
In 2007 Manovich founded Software Studies Initiative (renamed Cultural Analytics Lab in 2016.) The lab pioneered computational analysis and visualization of massive cultural visual datasets in the humanities. The lab's past and present collaborators include Museum of Modern Art in NYC, Getty Research Institute, Austrian Film Museum, Netherlands Institute for Sound and Image and other institutions who are interested in using its methods and software with their media collections. Between 2012 and 2016, Manovich directed a number of public facing projects that present analysis of 16 million Instagram images shared worldwide.
He received grants and fellowships from Guggenheim Foundation, Andrew Mellon Foundation, Guggenheim Foundation, National Science Foundation, National Endowment for the Arts (NEH), Twitter, and many other agencies.
Between 1996 and 2012, Manovich was a Professor in Visual Arts Department at University of California San Diego (UCSD) where he was teaching classes in digital art, new media theory, and digital humanities. In addition, Manovich was a visiting professor at California Institute of the Arts, The Southern California Institute of Architecture (SCI-Arc), University of California Los Angeles (UCLA), University of Amsterdam, Stockholm University, University of Art and Design in Helsinki, Hong Kong Art Center, University of Siegen, Gothenberg School of Art, Goldsmiths College at the University of London, De Montfort University in Leicester, and the University of New South Wales in Sydney. Between 2009 and 2013 he was on the faculty of European Graduate School (EGS). Since 2013, he is a Professor of Computer Science at The Graduate Center, City University of New York (CUNY). Since 2016, he is core faculty member at Strelka Institute for Media, Architecture, and Design, Moscow.
Manovich is in demand to lecture on digital culture topics around the world. Since 1999 he presented 600 lectures, seminars and master classes in North and South America, Asia, and Europe.
His digital art projects were shown in over 100 group and personal exhibitions worldwide. The lab’s most recent projects were commissioned by MoMA, New Public Library, and Google. Selfiecity.net won Golden Award in Best Visualization Project category in the global competition in 2014; on-broadway.nyc received Silver Award in the same category in 2015.