Cambridge, Mass.: MIT Press, 2001.
"In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new…
With contributions by Andreas Angelidakis, Jason Danziger, Andreas Kratky, and Ruth M. Lorenz. Karlsruhe: ZKM Center for Art and Media Karlsruhe, 2002.
This book presents the general concepts behind Soft Cinema project, documentation of the edition produced for the exhibition "Future Cinema. The Cine-matic Imaginary after Film (November 16, 2002 – March 30, 2003) at ZKM Center for Art and Media in Karlsruhe, and a number of architectural projects created for this edition. The book c…
Selection of previously published articles. Translated into Serbian by Đorđe Tomić, Dejan Sretenović, Vladimir Tupanjac. Beograd [Belgrade]: Centar za savremenu umetnost [Center for Contemporary Arts]: 2001.
From the publisher:
"Lev Manovič je jedan od vodećih teoretičara novih medija, profesor teorije i prakse digitalnih umetnosti na Kalifornijskom univerzitetu u San Dijegu. U svojim istraživanjima genealogije jezika novih medija, Manovič mapira istorijske i teleološke trajek…