The Exceptional and the Everyday: 144 Hours in Kyiv
"This work... offers the invitation to explore unexpected paths through available information, crafting creative responses to the brave world of big data." Artforum, February 2016.
Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals?
If we look at images of Kyiv published by many global media outlets during the 2014 Ukrainian Revolution, the whole city is reduced to what was taking place on its main square. On Instagram, it looks different. The images of clashes between protesters and the police and political slogans appear next to the images of the typical Instagram subjects. Most people continue their lives. The exceptional co-exists with the everyday. We saw this in the collected images, and we wanted to communicate it in the project.
In this project we analyze the content of images and also non-visual data that accompanies them: most frequent tags, the use of English, Ukrainian, and Russian languages, dates and times when images their shared, and their geo-locations.
“The Exceptional and the Everyday: 144 Hours in Kyiv” is the first project to analyze the use of Instagram during a social upheaval. Using computational and data visualization techniques, we explore 13,208 Instagram images shared by 6,165 people in the central area of Kyiv during 2014 Ukrainian revolution (February 17 - February 22, 2014). Together with Jay Chow, Alise Tifentale, and Mehrdad Yazdani. Guest essays by Dr. Elizabeth Losh and Dr. Svitlana Matviyenko.
Revolutionize, Mystetskyi Arsenal, Kyiv, Ukraine, November 21, 2018 - January 27, 2019.
Light at the End of the Cable. Latvian Art in the Digital Era, Riga, Latvia, September 27 - October 18, 2016.
Data Drift, co-curated by Lev Manovich, Riga, Latvia, October 8 – November 22, 2015.
Tallinn Architecture Biennale “Self-Driven City”, Tallinn, Estonia, September 9 – October 18, 2015.
Infosphere, ZKM Center for Art and Media Karlsruhe, Germany, September 5, 2015 - January 31, 2016.
Signal from Noise, curated by Elizabeth Larison, The Center for Curatorial Studies at Bard College, Annandale-On-Hudson, New York, March 29 - May 3, 2015.